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The practise process is probably the most important area of learning an instrument. In this session we will find our way round the pitfalls and frustrations we have all experienced, and answer any questions that have been gnawing away at you about this vital and surprisingly enjoyable occupation!
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The practise process is probably the most important area of learning an instrument. Regular and well thought out practise goes hand in hand with progress andenjoyment. In this session we will find our way round the pitfalls and frustrations we have all experienced, and answer any questions that have been gnawing away at you about this vital and surprisingly enjoyable occupation!
Kim Mackrell studied cello at the Guildhall School of Music and Drama with Leonard Steyn, where she won the Guildhall School Cello prize. Work abroad followed, in Bermuda with the Guildhall Quartet, and as principal cellist in the Las Palmas Philharmonic Orchestra. She joined the BBC Philharmonic in Manchester, leaving after six years to freelance with orchestras in the north.
Since returning to London her freelance work has been an eclectic mix of genres; regular LSO concerts and tours; solo cellist with the Kosh Dance/Theatre Company; twenty years with contemporary music group Harmonie Band performing original scores for silent film, taking projects to schools, and giving concerts; twelve years a member of the Solarek Piano Trio; founder of the Pisces String Quartet in 2004.
Her teaching practise began to attract adult amateurs, and through the cello section coaching and group work that followed, Chamber Cellos Courses was formed in 2008 chambercellos.co.uk.
What happens when two cellists are trapped under one roof during lockdown? To find out, join Tim and Joely when they present their fabulous feast of cello duets written for cellists by cellists – from the luxuriant via the funky to the downright anti-establishment.
It’s a common experience at the end of a performance to only be able to list everything we felt we did badly. Often that judgemental voice is so active while we perform and practice we don’t actually hear anything we have played! We can even mistakenly believe we need to cultivate this judgemental mindset in order to improve.
The practise process is probably the most important area of learning an instrument. In this session we will find our way round the pitfalls and frustrations we have all experienced, and answer any questions that have been gnawing away at you about this vital and surprisingly enjoyable occupation!
For Students, Professional Musicians and Enthusiasts. We have compiled tips and advice from our blog and partner makers so that you can be confident in your choice!
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