Violin by Hans Johannsson, 2022

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£ 35,000 GBP
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Description
This violin by reputed Icelandic maker Hans Johannsson is a remarkable instrument that combines visual elegance with exceptional acoustic qualities. The carefully selected tonewoods contribute to its open, round, and warm sound, which captivates listeners with its depth and clarity. This violin shines in a concert hall setting, projecting its beautiful tones effortlessly, making it an ideal choice for discerning performers who value both aesthetics and sonic excellence.
This instrument is eligible for 100% trade in value through our Trade In Guarantee. Full terms
Details
Every instrument is available to try at our beautiful central London showroom. Players are encouraged to take advantage of our free 7 day trial option.
Guidance for International Buyers
We offer free international shipping and insurance. VAT and duties may apply depending on the country so please contact us before placing your order.
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Guidance for International Buyers
Every instrument is certified by MyLuthier & the maker and comes with a lifetime authenticity guarantee.
Guidance for International Buyers
We accept a variety of payment methods and currencies. If you have any questions please contact us before placing your order.
Guidance for International Buyers
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Hans Johannsson
Hans Johannsson
Hans Johannsson

Hans Johannsson

Hans Johannsson is a skilled craftsman who creates violins, violas, cellos, double basses, and various other stringed instruments. His love for the violin began in his grandfather Gudjon Halldorsson's cabinet-making workshop in Reykjavík, Iceland. After completing his studies with distinction at the Newark School of Violin Making in Great Britain under Maurice Bouette and Glen Collins in 1980, and later receiving a master's diploma from the Icelandic Arts and Crafts Council in 1982, Hans has been crafting instruments for professional musicians worldwide.

Hans develops his instruments based on his own unique model, continually evolving the design of outlines and proportions. He rarely creates copies, believing that the renowned masters of the past all established their own distinct styles within a classical theme. To Hans, imitation is only useful for educational purposes, as he prefers to contribute his own creative touch to his instruments.

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Hans Johannsson
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