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5 Common Pitfalls When Purchasing High-End Violin Bows

Discover the common pitfalls of buying high-end violin bows, including condition and authenticity concerns.

Purchasing a high-end violin bow can be a daunting endeavour, especially for those new to the world of fine string instruments. Bows often cost as much, if not more, than the violins they complement. Condition and authenticity concerns are of the utmost importance, yet they can be easily overlooked by inexperienced buyers, potentially leading to significant financial loss and disappointment. This article explores these perils, offering insights to help buyers navigate the complexities of acquiring a high-end violin bow.

Condition Concerns

When considering the purchase of a high-end violin bow, understanding the nuances of its condition is critical. The physical state of a bow can greatly impact both its functionality and value. Below, we delve deeper into specific condition concerns that an inexperienced buyer might overlook.

Physical Wear and Damage

  1. Cracks and Splits
    • Common Areas: Cracks can appear anywhere on the bow but are most commonly found around frog and head. The head of the bow is particularly vulnerable due to the stress it endures.
    • Inspection: Examine the bow carefully for any signs of cracking. Use a magnifying glass to check for fine hairline fractures, especially around high-stress areas such as the head and the frog.
    • Consequences and Value Impact: Cracks, especially those that have been poorly repaired or left untreated, can compromise the bow’s structural integrity and adversely affect its playability and value. A major repair like a grafted stick or a broken head can decrease the bow’s value by up to 90%.
  2. Repairs and Alterations
    • Non-Original Parts
      • Originality: High-end bows are valued for their craftsmanship and originality. Non-original parts, such as a replaced frog, button, or winding, can detract from the bow’s authenticity and value.
      • Identification and Value Reduction: Identifying non-original parts requires a keen eye and knowledge of the specific maker’s style. An expert assessment is required to confidently authenticate a bow and all its parts. The expert will compare the parts in question with known examples of the maker’s work. A bow with a replacement button or frog for example, can see a value reduction of 30% to 40%​​.
    • Restorations
      • Quality of Repairs: Restorations are sometimes necessary to maintain a bow’s functionality and appearance. However, the quality of these repairs can vary significantly. Poorly executed repairs can alter the bow’s weight and balance, affecting its playability.
      • Signs of Restoration and Value Impact: Look for signs of glue residue, filler, uneven finishes, or mismatched materials that indicate a bow has been repaired. Seek bows with repairs done by reputable craftsmen, as high-quality restorations can preserve the bow’s integrity and value. A major restoration will typically render the bow worthless form a collectors perspective.
  3. Material Condition
    • Quality of Wood
      • Identification: Pernambuco wood is highly prized for its density, elasticity, and tonal properties. However, identifying genuine Pernambuco can be challenging. Look for uniform grain patterns and rich colour that distinguishes it from inferior woods.
      • Condition and Impact: Pernambuco can deteriorate over time if not properly cared for. Inspect the wood for signs of cracking, or excessive wear. A well-maintained Pernambuco bow will have a smooth, even finish and feel solid in the hand. Exceptional quality Pernambuco can increase a bow’s value by up to 20%​​.
    • Frog and Button Condition
      • Wear and Tear: The frog and button endure significant handling and can show signs of wear such as scratches, dents, or loose fittings. Examine these parts closely to ensure they are in good condition.
      • Material Integrity and Impact: Frogs made from ebony, tortoiseshell, or other exotic materials need special care. Check for signs of shrinkage, warping, or other damage that can compromise the frog’s stability and the bow’s overall balance. Bows with exotic materials like tortoiseshell and gold fittings can increase in value by up to 100%​​.
CITES Concerns When Buying High-End Violin Bows
When purchasing high-end violin bows, buyers must be aware of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) regulations. Many fine bows are crafted from Pernambuco wood and other materials like ivory or tortoiseshell, which are protected under CITES. These regulations restrict the international trade of such materials to prevent over-exploitation and ensure their conservation. Inexperienced buyers should ensure that the bow comes with the appropriate CITES documentation to confirm that the materials have been legally sourced and can be legally transported across borders. Failure to comply with CITES regulations can lead to confiscation of the bow and significant legal repercussions, diminishing the bow’s value and usability.

Authenticity Concerns

  1. Provenance and Documentation
    • Certificates of Authenticity: Authenticity is paramount in the high-end bow market. Genuine certificates from reputable experts or institutions should accompany the bow. These documents verify the maker, date, and origin of the bow, providing assurance to the buyer.
    • Historical Ownership: Knowing the bow’s history and previous ownership can add to its value. However, fraudulent provenance is a risk, so verifying the authenticity of such claims through trusted channels is crucial.
  2. Maker Attribution
    • Famous Makers vs. Copyists: Many high-end bows are attributed to renowned makers like François Tourte or Dominique Peccatte. However, the market is rife with bows falsely attributed to famous makers. A buyer must be cautious of bows claiming prestigious origins without substantial proof.
    • Signature and Stamps: Bows often have stamps or signatures indicating their maker, but in many cases can be missing or unreadable due to wear. Forged stamps are also common, and recognising genuine markings requires expertise. Buyers should consult with trusted luthiers or appraisers to confirm the legitimacy of these marks.
  3. Craftsmanship
    • The craftsmanship of a bow, including the carving of the head and the finishing of the frog, speaks volumes about its authenticity. Subtle differences in style and technique can indicate whether a bow is a genuine piece by a known maker or a clever imitation.

Tips for Inexperienced Buyers

  1. Seek Expert Advice: Always consult with experienced luthiers or bow makers before making a purchase. Their expertise can help identify potential issues that a novice might overlook.
  2. Purchase from Reputable Sources: Buy from well-established dealers or auction houses known for their integrity and transparency. This reduces the risk of acquiring a misrepresented or counterfeit bow.
  3. Educate Yourself: Invest time in learning about bow makers, materials, and the market. Knowledge is the best defense against the perils of buying high-end violin bows.
  4. Request Comprehensive Documentation: Ensure that any bow you consider comes with detailed provenance and authenticity documentation. Verify these documents independently if possible.

In conclusion, while the allure of owning a high-end violin bow is undeniable, the path to acquiring one is fraught with potential pitfalls. Inexperienced buyers must be vigilant about condition and authenticity concerns, seeking expert guidance and purchasing from reputable sources to safeguard their investment and musical satisfaction.

Violin Bow by E. Sartory, 1908 Exposition

Violin Bow by E. Sartory, 1908 Exposition
£ 47,000 GBP

Very fine silver-mounted violin bow by Eugène Sartory à Paris. This is a particularly beautiful example of the maker's work, made for the 1908 Franco-British Exposition in London. It has been maintained in remarkably good condition and it is original in all its parts. It is stamped "E SARTORY A PARIS" and "EXPO 1908". Comes with a 2023 JF Raffin certificate.

About

Violin Bow by E. Sartory, 1908 Exposition

Gold-Mounted Violin by Bow by Emilio Slaviero

Gold-Mounted Violin by Bow by Emilio Slaviero
£ 6,900 GBP

About

Emilio & Luca Slaviero

Gold-Mounted Violin by Bow by Emilio Slaviero

Emilio Slaviero is an Italian bow maker in Cremona, working alongside his son Luca. Together they make bows for violin, viola and cello in silver and gold mountings.

Emilio trained in Paris, one of the world's bow making capitals, but always intended to bring that standard of work back to Cremona, which is a city known for instruments rather than for bows. Their bows carry strong and consistent characteristics: well balanced, with a crisp and clear sound.

Their bows are used by players across Europe, often paired with the contemporary Cremonese instruments they were designed to complement.

From the craftsmanship to the sound, everything about the Slaviero bows is top quality. They bring out the best in a string instrument, and the playability gives a musician far more freedom to dig into the string, explore contact points and find depth of sound, all while keeping the control an exceptional bow should offer. The gold mounted cello bows in particular suit a player looking for more projection, and are extremely well balanced along the whole length. They are among the most reliable recommendations we make.

Gold Mounted Cello Bow by Emilio Slaviero

Gold Mounted Cello Bow by Emilio Slaviero
£ 7,000 GBP

This strong gold mounted cello bow by Emilio Slaviero is ideal for a player looking for more projection out of their instrument. It is a very player friendly bow, being extremely well balanced throughout.

About

Emilio & Luca Slaviero

Gold Mounted Cello Bow by Emilio Slaviero

Emilio Slaviero is an Italian bow maker in Cremona, working alongside his son Luca. Together they make bows for violin, viola and cello in silver and gold mountings.

Emilio trained in Paris, one of the world's bow making capitals, but always intended to bring that standard of work back to Cremona, which is a city known for instruments rather than for bows. Their bows carry strong and consistent characteristics: well balanced, with a crisp and clear sound.

Their bows are used by players across Europe, often paired with the contemporary Cremonese instruments they were designed to complement.

From the craftsmanship to the sound, everything about the Slaviero bows is top quality. They bring out the best in a string instrument, and the playability gives a musician far more freedom to dig into the string, explore contact points and find depth of sound, all while keeping the control an exceptional bow should offer. The gold mounted cello bows in particular suit a player looking for more projection, and are extremely well balanced along the whole length. They are among the most reliable recommendations we make.

Classical Violin Bow by Walter Barbiero, 2021

Classical Violin Bow by Walter Barbiero, 2021
£ 3,000 GBP

Walter's bows are praised and performed by many high-profile players around the world. His bows possess a refined sound quality usually associated with the french masters. This classical bow is very powerful and would be perfect for a player transitioning from a modern bow.

About

Walter Barbiero

Classical Violin Bow by Walter Barbiero, 2021

Walter Barbiero is an Italian bow maker in Padua and one of the leading archetiers of his generation. He makes bows for all the string instruments and for all periods, from baroque through to modern.

His particular passion is for baroque and classical bows. He made the bow Giuliano Carmignola used to record the Vivaldi concertos for Deutsche Grammophon, and another of his bows features on Viktoria Mullova's recording of the Bach Sonatas and Partitas for Onyx. He designs around the player rather than around the object, on the view that a musician expresses thought and emotion through the bow, and describes his own work as animating the creative movement of the musician.

His bows are played by Viktoria Mullova, Isabelle Faust, Mario Brunello and Giuliano Carmignola, among many other high-profile players internationally.

Walter has mastered his craft for both modern and period bows, which is rarer than it sounds. His bows have a refined sound quality usually associated with the French masters, soft and elegant, but the technical characteristics are what players notice first. They are beautifully balanced and give a crisp, precise tone, and they draw the best out of whatever instrument they meet. From the craftsmanship to the sound, everything about them is top quality.

About the Author

MyLuthier was started by two friends while they were studying at the Royal Academy of Music in London. The idea was to provide musicians with exceptional instruments at a price they can afford. We travelled Europe in search for the best contemporary makers and we’re proud of our selection and the partnerships we’ve developed.

Author
MyLuthier
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