Discover the common pitfalls of buying high-end violin bows, including condition and authenticity concerns.
Purchasing a high-end violin bow can be a daunting endeavour, especially for those new to the world of fine string instruments. Bows often cost as much, if not more, than the violins they complement. Condition and authenticity concerns are of the utmost importance, yet they can be easily overlooked by inexperienced buyers, potentially leading to significant financial loss and disappointment. This article explores these perils, offering insights to help buyers navigate the complexities of acquiring a high-end violin bow.
When considering the purchase of a high-end violin bow, understanding the nuances of its condition is critical. The physical state of a bow can greatly impact both its functionality and value. Below, we delve deeper into specific condition concerns that an inexperienced buyer might overlook.
CITES Concerns When Buying High-End Violin Bows
When purchasing high-end violin bows, buyers must be aware of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) regulations. Many fine bows are crafted from Pernambuco wood and other materials like ivory or tortoiseshell, which are protected under CITES. These regulations restrict the international trade of such materials to prevent over-exploitation and ensure their conservation. Inexperienced buyers should ensure that the bow comes with the appropriate CITES documentation to confirm that the materials have been legally sourced and can be legally transported across borders. Failure to comply with CITES regulations can lead to confiscation of the bow and significant legal repercussions, diminishing the bow’s value and usability.
In conclusion, while the allure of owning a high-end violin bow is undeniable, the path to acquiring one is fraught with potential pitfalls. Inexperienced buyers must be vigilant about condition and authenticity concerns, seeking expert guidance and purchasing from reputable sources to safeguard their investment and musical satisfaction.

Very fine silver-mounted violin bow by Eugène Sartory à Paris. This is a particularly beautiful example of the maker's work, made for the 1908 Franco-British Exposition in London. It has been maintained in remarkably good condition and it is original in all its parts. It is stamped "E SARTORY A PARIS" and "EXPO 1908". Comes with a 2023 JF Raffin certificate.


Emilio Slaviero is an Italian bow maker in Cremona, working alongside his son Luca. Together they make bows for violin, viola and cello in silver and gold mountings.
Emilio trained in Paris, one of the world's bow making capitals, but always intended to bring that standard of work back to Cremona, which is a city known for instruments rather than for bows. Their bows carry strong and consistent characteristics: well balanced, with a crisp and clear sound.
Their bows are used by players across Europe, often paired with the contemporary Cremonese instruments they were designed to complement.
From the craftsmanship to the sound, everything about the Slaviero bows is top quality. They bring out the best in a string instrument, and the playability gives a musician far more freedom to dig into the string, explore contact points and find depth of sound, all while keeping the control an exceptional bow should offer. The gold mounted cello bows in particular suit a player looking for more projection, and are extremely well balanced along the whole length. They are among the most reliable recommendations we make.

This strong gold mounted cello bow by Emilio Slaviero is ideal for a player looking for more projection out of their instrument. It is a very player friendly bow, being extremely well balanced throughout.

Emilio Slaviero is an Italian bow maker in Cremona, working alongside his son Luca. Together they make bows for violin, viola and cello in silver and gold mountings.
Emilio trained in Paris, one of the world's bow making capitals, but always intended to bring that standard of work back to Cremona, which is a city known for instruments rather than for bows. Their bows carry strong and consistent characteristics: well balanced, with a crisp and clear sound.
Their bows are used by players across Europe, often paired with the contemporary Cremonese instruments they were designed to complement.
From the craftsmanship to the sound, everything about the Slaviero bows is top quality. They bring out the best in a string instrument, and the playability gives a musician far more freedom to dig into the string, explore contact points and find depth of sound, all while keeping the control an exceptional bow should offer. The gold mounted cello bows in particular suit a player looking for more projection, and are extremely well balanced along the whole length. They are among the most reliable recommendations we make.

Walter's bows are praised and performed by many high-profile players around the world. His bows possess a refined sound quality usually associated with the french masters. This classical bow is very powerful and would be perfect for a player transitioning from a modern bow.

Walter Barbiero is an Italian bow maker in Padua and one of the leading archetiers of his generation. He makes bows for all the string instruments and for all periods, from baroque through to modern.
His particular passion is for baroque and classical bows. He made the bow Giuliano Carmignola used to record the Vivaldi concertos for Deutsche Grammophon, and another of his bows features on Viktoria Mullova's recording of the Bach Sonatas and Partitas for Onyx. He designs around the player rather than around the object, on the view that a musician expresses thought and emotion through the bow, and describes his own work as animating the creative movement of the musician.
His bows are played by Viktoria Mullova, Isabelle Faust, Mario Brunello and Giuliano Carmignola, among many other high-profile players internationally.
Walter has mastered his craft for both modern and period bows, which is rarer than it sounds. His bows have a refined sound quality usually associated with the French masters, soft and elegant, but the technical characteristics are what players notice first. They are beautifully balanced and give a crisp, precise tone, and they draw the best out of whatever instrument they meet. From the craftsmanship to the sound, everything about them is top quality.
MyLuthier was started by two friends while they were studying at the Royal Academy of Music in London. The idea was to provide musicians with exceptional instruments at a price they can afford. We travelled Europe in search for the best contemporary makers and we’re proud of our selection and the partnerships we’ve developed.