A rare Guarneri model, serial 2053, dark in tone without losing brilliance
This splendid violin is a fine example by Jean-Baptiste Vuillaume, hailing from the heart of Parisian musical artisanship.
The instrument bears the original label of Vuillaume from the historic rue des Petits-Champs. It features the maker's serial number, 2053, and his signature, elegantly inscribed within the interior of the back.
If there has ever been a violin that perfectly balanced a dark tone quality without sacrificing anything in terms of brilliance and projection, this instrument is the one. The G string has outstanding power and richness throughout, even in its highest register, a quality usually attributed to Stradivaris and Guarneris. The middle strings have a remarkably full and resonant tone, offering the player complete versatility. The E string is typical of the very best violins - it can sing beautifully with a sweet, lyrical tone but can also offer excellent power and clarity. Overall, this violin's stunning sound makes it ideally suited for solo playing or chamber music.
This violin is modelled after Guarneri del Gesu. Vuillaume's Guarneri copies are extremely rare and they are therefore even more sought-after than his Stradivari models.
It stands as a very fine example of Vuillaume's work. Its excellent condition, coupled with the rarity of the model, makes it a highly desirable piece for collectors and musicians alike.
This 1855 Jean-Baptiste Vuillaume violin, with its rich historical context and superb craftsmanship, represents not only a high-quality musical instrument but also a piece of art history. It is a testament to the enduring legacy of one of the greatest violin makers of the 19th century.
Original Vuillaume label, rue des Petits-Champs, serial number 2053, with the maker's signature inside the back. Documentation available to qualified buyers.
Jean-Baptiste Vuillaume (1798 to 1875) was the leading French maker of the nineteenth century, working in Paris from the 1820s. He built precise copies after Stradivari, Guarneri and Maggini, and his finest instruments are treated as benchmarks of French making.
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