Made just before his late period, still Amati in outline, powerful but velvet in tone
This wonderful violin is a very good and characteristic example of Giovanni Grancino's work. Made in Milan, Italy in 1706.
Giovanni Grancino in Contrada
Largha di Milano al segno
della Corona 1706
This violin was made just before Giovanni entered his later phase (from 1709) and is still inspired by the Amati style and outline, with a medium arching and relatively straight F holes.
The sound of Grancino's violins is often described as powerful but with a velvety and smooth quality. This violin does complete justice to this description. The overall feel is a very rich and warm tone with strong resonance throughout. The E string can soar beautifully, with a sound full of lyricism but should the player choose to dig in and really project, the opportunities to do so are endless. Equally on the G string, as you shift into higher positions, the power of the instrument really shines through. The playability is fantastic and the wide range of colours makes this a versatile instrument for any player.
Overall, this is a very attractive instrument for a player or collector. It possesses the qualities that a musician would look for in their instrument but the historical significance and name that would speak to an avid collector.
Bears its original label: Giovanni Grancino in Contrada Largha di Milano al segno della Corona 1706. Documentation available to qualified buyers.
Giovanni Grancino (c.1637 to 1709) was the leading Milanese maker of his generation, working at the sign of the Crown in the Contrada Largha. His early work follows Amati models closely; his instruments are prized for a warm, powerful tone and for their place at the head of the Milanese school.
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